Read forth in the month of March and find your books from The Shop at MATTER.
Happy Reading!
Yaya and the Sea
On the first day of spring, when the city is quiet and still, little Yaya takes the A train down to New York City's southern shores with her mama and aunties to greet Mama Ocean and celebrate the arrival of a new season through a ritual of letting go of the past and embracing the new.
(Children’s)
Miss Edmonia's Class of Wildfires
Miss Edmonia (a nod to American sculptor, Edmonia Lewis) and her class of elementary--aged WILDFIRES are spending the day at the art museum. Follow Kara-Clementine and Attilio as they explore the museum's collection and discover the character traits that make them special. The Museum Lives in Me (TM) is a picture book series that explores concepts of self-discovery, identity, empowerment, and the power of art, as inspired by our world's museums and the collections within them.
(Children’s)
You Get What You Pay for: Essays
Morgan Parker
Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery.
In a collection of essays as intimate as being in the room with Parker and her therapist, Parker examines America's cultural history and relationship to Black Americans through the ages. She touches on such topics as the ubiquity of beauty standards that exclude Black women, the implications of Bill Cosby's fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious.
With piercing wit and incisive observations, You Get What You Pay For is ultimately a portal into a deeper examination of racial consciousness and its effects on mental well-being in America today. Weaving unflinching criticism with intimate anecdotes, this devastating memoir-in-essays paints a portrait of one Black woman's psyche--and of the writer's search to both tell the truth and deconstruct it.
(Nonfiction)
Lessons for Survival: Mothering Against "The Apocalypse"
Lessons for Survival is a probing series of pilgrimages from the perspective of a mother struggling to raise her children to thrive without coming undone in an era of turbulent intersecting crises.
With camera in hand, Raboteau goes in search of birds, fluttering in the air or painted on buildings, and city parks where her children may safely play while avoiding pollution, pandemics, and the police. She ventures abroad to learn from Indigenous peoples, and in her own family and community, she discovers the most intimate examples of resilience. Raboteau bears witness to the inner life of Black womanhood, motherhood, the brutalities and possibilities of cities, while celebrating the beauty and fragility of nature. This innovative work of reportage and autobiography stitches together multiple stories of protection, offering a profound sense of hope.
(Nonfiction)
Here in the (Middle) of Nowhere
In this bold hybrid collection of poetry, flash fiction, and Afrofuturism sci-fi, the award-winning interdisciplinary writer and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town. What happens when there are multiple universes in the middle of nowhere?
And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth?
These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety--monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all--as well as community and connectedness.
With a prose storyline and characters that connect through family, time, and place, Anastacia-Reneé paints world(s) rich with wonder and the paranormal as she peers into the lives of everyday people and spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality. It is about the things we invoke, conjure, and rely on to maintain joy as we keep it moving through difficult eras. Anastacia-Reneé's power imbues her spellbinding storytelling with lovingly rendered characters brought to life in lyrical poetry. She builds worlds within worlds and dares us to fully see and love ourselves in all our complexity.
(Short Stories)
I Finally Bought Some Jordans: Essays
In his books I Can't Date Jesus and I Don't Want to Die Poor, Michael Arceneaux established himself as one of the most beloved and entertaining writers of his generation, touching upon such hot-button topics as race, class, sexuality, labor, debt, and, of course, paying homage to the power and wisdom of Beyoncé. In this collection, Arceneaux takes stock of how far he has traveled--and how much ground he still has to cover in this patriarchal, heteronormative society. He explores the opportunities afforded to Black creatives but also the doors that remain shut or ever-so-slightly ajar; the confounding challenges of dating in a time when social media has made everything both more accessible and more unreliable; and the allure of returning home while still pushing yourself to seek opportunity elsewhere.
I Finally Bought Some Jordans is both a corrective to, and a balm for, these troubling times, revealing a sharply funny and keen-eyed storyteller working at the height of his craft.
(Nonfiction)
Watch Where They Hide: A Jordan Manning Novel
After dropping her child off at preschool, Marla Hancock, a stay-at-home mother, disappears. She had recently left her verbally abusive husband in rural Indiana and moved in with her sister, Shelly, who simply can't believe that her sister would ever willingly vanish without her children. But with limited support from the town's police department or media resources, Shelly fears that Marla's disappearance won't get the attention it deserves, or worse, will go unsolved. So, several weeks after filing a missing person's report, she reaches out to TV journalist Jordan Manning for help.
After her investigative and reporting skills helped solve multiple murders, Jordan Manning's career in the newsroom is on the rise. She has gained a reputation as more than your typical news reporter: a "fixer" with a vigilante edge, dogged and undeterred to seek the truth. But even with this new status, Jordan still feels pressure to prove herself as a young Black professional. When Shelly reaches out, she feels compelled to do all she can to find Marla.
Jordan's search twists and turns in ways she could never have imagined, illuminating scandals and secrets that place her own life in grave danger.
(Mystery)
Great Expectations
I'd seen the Senator speak a few times before my life got caught up, however distantly, with his, but the first time I can remember paying real attention was when he delivered the speech announcing his run for the Presidency.
When David first hears the Senator from Illinois speak, he feels deep ambivalence. Intrigued by the Senator's idealistic rhetoric, David also wonders how he'll balance the fervent belief and inevitable compromises it will take to become the United States' first Black president.
Great Expectations is about David's eighteen months working for the Senator's presidential campaign. Along the way David meets a myriad of people who raise a set of questions--questions of history, art, race, religion, and fatherhood--that force David to look at his own life anew and come to terms with his identity as a young Black man and father in America.
Meditating on politics and politicians, religion and preachers, fathers and family, Great Expectations is both an emotionally resonant coming-of-age story and a rich novel of ideas, marking the arrival of a major new writer.
(Literary)